There’s smart input from Bruce Springsteen, Elton John and others, but this documentary really excels in its moments of intimacy as Wilson revisits his past
![Brian Wilson: Long Promised Road review – good vibrations in kindly portrait](https://i.guim.co.uk/img/media/2ebf0b287724b815c66b45dad6298affe26b08df/0_291_2016_1210/master/2016.jpg?width=1200&height=630&quality=85&auto=format&fit=crop&overlay-align=bottom%2Cleft&overlay-width=100p&overlay-base64=L2ltZy9zdGF0aWMvb3ZlcmxheXMvdGctcmV2aWV3LTMucG5n&enable=upscale&s=0653da15d9ee1d6beb99794845f5a0df)
This documentary sets out on a noble but foolhardy mission: to examine the history of Brian Wilson with the man himself. Wilson turns 80 this summer, and he is showing his age. His recent singing on stage can be faltering, almost conversational at times, and the mental health problems he has weathered during his life make interviews difficult: he is often nervous to the point of monosyllables.
And yet director Brent Wilson (no relation), working with Rolling Stone journalist Jason Fine, creates an evocative piece under the circumstances: kindly film-making that puts Wilson at ease, and allows for some rare, unusual portraiture of the Beach Boys mastermind.