Director Patty Jenkins recently condemned films produced by streamers as “fake movies”, but the evolution has opened doors for diversity
In 1993, digital technology was revolutionising cinema; now it threatens to destroy it. The omens were there 28 years ago: the highest-grossing movie that year was Jurassic Park, whose dinosaurs ironically represented an evolutionary leap. Audiences were wowed by those hyper-realistic digital effects – all six minutes of them.
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