As we stream more than ever, the surprising success of some maligned B-movies clues us into what people want to watch
News last week that Woody Allen’s latest, the Amazon-disowned A Rainy Day in
New York, was the world’s number one film at the
box office spread fast, mainly because of its inherent absurdity. Allen, a figure associated more with critical acclaim than commercial success, is currently outgrossing Pixar’s Onward with a film that might never see a US release, a bizarro turn of events that felt indicative of what’s become a very surreal year in film.
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