A
comedy thriller about three college
Friends of color weighing the risks of calling authorities is part hijinks-y romp and part social commentary
![Emergency review – endearing yet stressful contemporary campus caper](https://i.guim.co.uk/img/media/7f6a1b32f550ea015baf718a67c994ca139f403c/61_0_2400_1440/master/2400.jpg?width=1200&height=630&quality=85&auto=format&fit=crop&overlay-align=bottom%2Cleft&overlay-width=100p&overlay-base64=L2ltZy9zdGF0aWMvb3ZlcmxheXMvdGctcmV2aWV3LTQucG5n&enable=upscale&s=e00760d59f9c9e19b2a81f3294b3fb11)
Emergency, a comedy thriller about three college friends – two Black, one Latino – navigating a downpour of bad optics and decisions, traffics in several established lanes: the raucous one-last-epic-party romp a la Booksmart, where everything that can escalate will in the course of a single night; the hijinks-filled buddy road trip comedy albeit this time around campus; and the socially aware thriller in the shadow of Get Out, where every move is weighted by the looming threat of anti-Black
racism in America. In other words, a ride somehow both warm and stressful, and an inviting mashup of familiar beats made fresh by a trio of grounded, endearing performances.
The film, adapted from the 2018 Sundance short by screenwriter KD Dávila and director Carey Williams with distribution by Amazon, opens in party comedy mode: best friends Kunle (Donald Elise Watkins) and Sean (RJ Cyler) determined to become the first Black students at fictional Buchanan College to complete a “legendary tour” of exclusive frat parties. The two are a classic yin-yang: Kunle the strait-laced and straight-A striver studying biology (the “Barack Obama of fungus”, Sean ribs), Sean the laid-back stoner with zero future plan but a tight party schedule.
Emergency is showing at the Sundance film festival and will be released on
Amazon later this year