The revered lyricist and composer has died at 91, but his search for new ways to express ideas still influences wider culture todayIf you’ve ever used the phrases “everything’s coming up roses” or “the ladies who lunch”, you have Stephen Sondheim to thank. He coined them in his lyrics for Gypsy (1959) and Company (1970), two of his most celebrated musicals. But for all the felicitousness of his work as a lyricist, he saw himself as a composer. In truth, not only was he both, the combination catapulted him into a league of his own.
![Sondheim reshaped musical theatre, placing it at the very heart of American culture | David Benedict](https://i.guim.co.uk/img/media/da88fa17d4fdbd9b9d086d0658ca30650b6c9386/0_653_6700_4017/master/6700.jpg?width=1200&height=630&quality=85&auto=format&fit=crop&overlay-align=bottom%2Cleft&overlay-width=100p&overlay-base64=L2ltZy9zdGF0aWMvb3ZlcmxheXMvdG8tb3BpbmlvbnMucG5n&enable=upscale&s=493d8bffe4dcb8b8807b7d18ddeec9ca)
Within moments of news
BREAKING of his sudden death in the early hours of Friday after a
Thanksgiving dinner with old
Friends, shocked tributes began flooding
Social Media. This wasn’t only theatreland in mourning. Sondheim’s remarkable influence across popular culture was startlingly current for an artist still working at 91.