A go-to collaborator for everyone from Herbie Hancock to Solange, the LA-based musician explores endless possibilities on his stunning new solo album
You can tell a lot about a person by the company they keep, and the names that have inked Jamire Williams in their Rolodexes are more than impressive – Solange Knowles, Moses Sumney, Blood Orange, Herbie Hancock and Robert Glasper among them. These artists are bound by boundary-pushing, tipping the balance between the mainstream and avant garde, and they often call on Houston-born multi-instrumentalist Williams to play on their albums, and sometimes define them.
Williams himself floats down more on the more experimental side. He spent years drumming in the NYC jazz scene, and his last artist album in 2016 was a collection of calamitous-as-hell drum solos, one of which was covered by indie-electronic whiz Dan Snaith (AKA Caribou AKA Daphni) on his 2017 Fabric mix. But since collaborating with the bleeding edge of US alt-pop – notably with Solange on 2019’s When I Get Home – and signing to International Anthem, the Chicago-based label that nurtures leftfield oddballs such as Angel Bat Dawid and Irreversible Entanglements, Williams has evolved into an idiosyncratic, and totally beguiling, kind of outsider soul.
But Only After You Have Suffered is out on 29 October via International Anthem