The duo started their debut album 36 years ago, but work for Janet Jackson, Mariah Carey and others got in the way. Now it’s finally complete, R&B’s great studio psychologists look back at an unmatched career
Some albums take a long time to make, but few have had the gestation period of Jam & Lewis: Volume One. The production duo started work on their debut artist album 36 years ago, just as their career was taking off on the back of the SOS Band’s hit single Just Be Good to Me, but they were thrown off-course working for a minor figure with a couple of flop albums to her name: Janet Jackson.
Together they started shaping what would become her 10m-selling 1986 breakthrough Control, which understandably “kind of stopped the progress on our own album”, as Jimmy “Jam” Harris, 62, puts it today, when he and his partner, Terry Lewis, 64, appear on a video call from their homes in
Los Angeles. With Control ready to be delivered, they wrote a song for themselves that sounded the perfect calling-card for a Jam & Lewis album. “We thought we were done with Control, then Janet’s manager came to hear the album,” says Harris. “We played him Nasty, When I Think Of You, The Pleasure Principle … And he says: ‘I just need one more song, for Janet.’ I’m going: ‘No, man, no.’ We get in the car to go to a restaurant, Terry puts a cassette in, and about the third song in, Janet’s manager says: ‘That’s the song I need.’”