This imaginative and unique Ivorian tale blends modern-day thriller dynamics with older storytelling traditions
The Maca prison, outside Abidjan, is a world with its own codes and rules, we are told, and this imaginative, energetic Ivorian drama follows suit, blending modern-day thriller dynamics and fluid handheld visuals with older storytelling traditions to produce something unique and locally specific. As well as a testament to the power of storytelling to transcend the grimmest of circumstances, it could also be read as a commentary on Ivory Coast’s own war-torn, postcolonial reality.
The
prison in question feels more like a slum than a penitentiary. Rather than being locked in cells, the inmates seem to have free run of the place, while armed guards observe nervously from behind barricades. According to Night of the Kings, the true ruler of the Maca is an inmate named Blackbeard (Steve Tientcheu, last seen in Ladj Ly’s Les Misérables). But he is dying and others are vying to take his place, which means a violent power struggle is imminent. Into this volatile situation arrives a timid young man (Bakary Koné) who, for reasons he cannot fathom, is nominated “Roman”, or storyteller. “When the red
moon comes out tomorrow night you must tell us stories,” Blackbeard commands him. Roman realises his own survival, and the prison’s stability, depend on his ability to spin a yarn, Scheherazade-like, through the night till dawn.