Inside a Covid I.C.U., Through a Nurse's Eyes | NYT Opinion
The short film above allows you to experience the brutality of the pandemic from the perspective of nurses inside a Covid-19 intensive care unit.
Opinion Video producer Alexander Stockton spent several days reporting at the Valleywise Medical Center in Phoenix. Two I.C.U. nurses wore cameras to show what it’s like to care for the sickest Covid patients a year into the pandemic.
So many Americans have died in hospitals without family by their side, but they were not alone. Nurses brush patients’ teeth, change their catheters and hold their hands in their final moments.
In just a year, we’ve lost half a million Americans to Covid-19. Vaccinations may be offering some relief, but inside I.C.U.s, nurses continue to contend with the trauma and grief of America’s carousel of death.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
February 25, 2021
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The Truth Is Essential: Life Right Now | The New York Times
New York Times journalism can help us understand the world around us, from our biggest challenges to our quirkiest questions.
Learn more at nytimes.com/truth
February 25, 2021
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Watch Frances McDormand Explore Nature in ‘Nomadland’ | Anatomy of a Scene
The landscapes of Badlands National Park become a place to get both lost and found in this scene from “Nomadland.”
Frances McDormand plays Fern, a woman who sets out for a life on the road when her economic situation becomes dire during the recession. She gets work in the Badlands of South Dakota and explores the park in this sequence that features a number of nonprofessional actors, along with the veteran performer David Strathairn.
Narrating the scene, the director Chloé Zhao discusses her work to make these moments in the park feel improvised, even though they were written and carefully staged. Fern does have time to wander though, and Zhao says that the ways McDormand moves and explores in the scene remind her of Buster Keaton or Charlie Chaplin. We see a little brightness in her discoveries, but the enjoyment is still bittersweet.
Read the New York Times review: https://nyti.ms/37uGHbI
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
February 19, 2021
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What Menopause Feels Like | Op-Docs
About half of the world's population will experience menopause, yet it's a period that can be isolating for a woman in their personal and professional life. Menopause marks the end of menstruation, and the changes that come with it are often not discussed openly. In Bronwen Parker-Rhodes's Op-Doc above, women across England share their intimate, complicated and illuminating experiences with menopause. It's a conversation that should happen more often, and without fear.
Read the story here: https://www.nytimes.com/2020/12/15/opinion/menopause-stories-women.html
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Op-Docs is a forum for short, opinionated documentaries by independent filmmakers. Learn more about Op-Docs and how to submit to the series. Follow The New York Times Opinion section on Facebook, Twitter and Instagram (@NYTopinion).
February 16, 2021
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Watch Lakeith Stanfield Being Interrogated in ‘Judas and the Black Messiah’ | Anatomy of a Scene
A handful of questions asked during an interrogation in “Judas and the Black Messiah” are key to propelling the plot of this tense historical drama.
Set in the late 1960s, the movie follows William O’Neal (Lakeith Stanfield), a young man who becomes an informant, feeding the F.B.I. intelligence about the Chicago Black Panther Party and one of its leaders, Fred Hampton (Daniel Kaluuya.) This early scene comes after O’Neal is caught using a fake F.B.I. badge to steal a car.
Narrating the sequence, King says the moment is about “the danger of being apolitical.” O’Neal is asked his feelings about the assassination of the Rev. Dr. Martin Luther King Jr. and admits to being upset. But when asked about the killing of Malcolm X, he has more of an indifferent response. “We really wanted to hit home the old phrase, if you stand for nothing you’ll fall for anything,” King narrates.
Read the New York Times review: https://nyti.ms/3acmqt8
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
February 12, 2021
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How the N.F.L. Made It to the Super Bowl During a Pandemic | Coronavirus News
The N.F.L. rolled out a grand experiment to play a not-at-all socially distanced sport in a pandemic. The Times went behind the scenes with the Seattle Seahawks and the Cleveland Browns to understand how the science and the upheaval played out.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
February 05, 2021
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4 Years of the Trump Presidency in 6 Minutes | NYT Politics
We revisit memorable moments from the past four years.
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Whether it's reporting on conflicts abroad and political divisions at home, or covering the latest style trends and scientific developments, New York Times video journalists provide a revealing and unforgettable view of the world. It's all the news that's fit to watch.
January 20, 2021
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